" onclick="return share_popup(this, this.title)" href="javascript: void(0) ">share this video There are several unreleased songs from these sessions including "Cradle", a re-recorded version of “God Leaves” and two further instrumentals. "Reefer Boy" and "Concrete Satan" both appeared on the God Leaves (And Dies) EP, however they have been completely re-recorded for Sub. Hellhammer being one of Tom Gabriel Fischer's former bands. "Messiah (Second Coming)" is a remake of the Hellhammer song Messiah. "Human III" continues from a song developed by Tom Gabriel Fischer, following on from "Human (Intro)" from Celtic Frost's Morbid Tales and "Human II" from Celtic Frost's Cold Lake. Sub was released globally through Mayan Records in late summer 2000, after two years of studio work. Sub features prominent final mixes by Mosimann, John Fryer (HIM, Nine Inch Nails), and Apollyon Sun themselves. ![]() Further recording and mixing sessions took place at Manhattan's EastSide Sound, London's Nomis Studios, and at various studio locations in Switzerland. Work on a full album, Sub began at London's Trident Studios in 1998, with renowned producer Roli Mosimann (Björk, Marilyn Manson, Faith No More). Sub is the debut album by Swiss industrial metal band Apollyon Sun, released in 2000 on Mayan Records. BDSM communities generally welcome anyone with a non-normative streak who identifies with the community this may include cross-dressers, body modification enthusiasts, animal roleplayers, rubber fetishists, and others. BDSM is used today (2015) as a catch-all phrase covering a wide range of activities, forms of interpersonal relationships, and distinct subcultures. ![]() ![]() The term BDSM is first recorded in a Usenet posting from 1991, and is interpreted as a combination of the abbreviations B/D (Bondage and Discipline), D/s (Dominance and submission), and S/M (Sadism and Masochism). Interest in BDSM can range from one-time experimentation to a lifestyle. Given the wide range of practices, some of which may be engaged in by people who do not consider themselves as practicing BDSM, inclusion in the BDSM community or subculture is usually dependent on self-identification and shared experience.
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