Here, artificial orange light and natural light mingle, guiding the senses and suggesting the color of the sky. The eye is soon drawn upward toward a large rectangular aperture cut directly into the square ceiling. Projected light - Los Angeles County Museum of ArtĮnter what at first seems to be an ordinary room and sit down on one of the wooden benches along its walls. Deeply rooted in the psychology of perception, Turrell's work calls our attention to an array of geometric possibilities, making us aware that seeing is an unstable process, as dependent on the brain as on the eye. The projection can be read multiple ways: if it is a 3-dimensional object, does it advance or recede from the viewer? It can also be viewed as a flat, uneven hexagon. Because of the intensity of the beam and the darkened conditions of the room, light appears as a visual presence, and the reflection of the beams off the walls makes it appear as if the cube itself were the source of light. ![]() Upon closer inspection, we discover that two intersecting beams of light create that illusion. If we walk from side to side, it appears three-dimensional. Here, a brilliant white cube seems to float in midair. Inspired by the glow from a reproduction of a Rothko canvas in the context of a slide lecture (a glow he later discovered they did not have when he experienced them in person), the work is derived from Turrell's knowledge of Color Field Painting, but takes it into the third dimension. The artist was essentially painting (or sculpting) with light. In the 1960s, Turrell began using a high-intensity projector (cutting-edge technology for the 1960s) to beam light onto the walls and corners of empty rooms. ![]() While Robert Smithson's Spiral Jetty and Walter de la Maria's Lightning Field are important precedents for the ambitious scale of his work, he is "not an 'earthwork' artist." As he puts it, "I'm totally involved in the sky."
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |